Ill Behaviour is a hyper-embodied, bioacoustic performance that listens inward to the messy, private, and often uncomfortable sounds of the (ill) body.

Using contact microphones, extended vocal techniques, and movement, the performers create a transmuting soundscape live from the sounds of breath, pulse, crepitus, and touch. It is visceral yet tenderly grotesque, folding the audience into a relationally charged space of listening, care, and rupture. The audience is invited to confront their own sonic interior; to lean into tenderness, unease, and curiosity.

Intimate yet confrontational, the work explores tenderness, horror, and care asking:  What does it sound like to be alive? What does it mean to hear yourself, and let someone else listen in?